Theatralia 2021, vol. 24, iss. Special Issue

The fact that our data might be looked at from so many different angles also represents our sincere hope that we will be able to fill in even more gaps and ferret out more truths about Shakespeare’s reception in the Central European post-Socialist countries, with our ultimate goal remaining to enrich our individual as well as group cultural memory in order to present a common cultural heritage that unites countries and nations rather than divides them.

Zsolt Almási and Kinga Földváry (Pázmány Péter Catholic University)

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